architecture in hawaii

Architecture in Hawaii: A Blend of Cultures and Climate

Introduction:

Hawaii's architecture isn't just about buildings; it's a story woven from diverse cultural threads, seamlessly integrated with the islands' breathtaking natural landscape. From the ancient heiau (temples) to the sleek modern high-rises, the architectural landscape reflects a unique blend of Polynesian heritage, Western influences, and a constant adaptation to the tropical climate. Ever wondered how architects manage the intense sun, trade winds, and occasional hurricanes? Let's dive into the fascinating world of Hawaiian architecture and discover the ingenious designs that define these iconic islands.

Article Outline:

I. Ancient Hawaiian Architecture:
a. Heiau (temples): Construction, purpose, and significance.
b. Traditional houses (hale): Materials, design, and functionality.
II. Influences of Western Architecture:
a. Missionary period: Introduction of Western styles and building techniques.
b. Plantation era: Evolution of styles reflecting the economic landscape.
c. 20th Century and beyond: Modern influences and contemporary designs.
III. Adapting to the Hawaiian Climate:
a. Dealing with the intense sun: Shading, ventilation, and material choices.
b. Managing trade winds: Natural ventilation and design features.
c. Withstanding hurricanes: Structural considerations and safety measures.
IV. Modern Hawaiian Architecture:
a. Sustainable design: Incorporating eco-friendly materials and practices.
b. Contemporary styles: Blending traditional elements with modern aesthetics.
c. Notable examples of modern Hawaiian architecture.

Article Body:

I. Ancient Hawaiian Architecture:

Imagine a time before concrete and steel, a time when buildings were crafted from natural materials, reflecting a deep connection with the land. Ancient Hawaiian architecture, primarily seen in the majestic heiau, speaks volumes about their spiritual beliefs and sophisticated understanding of construction. These sacred temples, built from massive basalt stones, served as focal points for religious ceremonies and community gatherings. The intricate construction, reflecting astronomical knowledge and meticulous planning, showcases the ingenuity of the ancient Hawaiians. Their homes, the hale, were similarly impressive. Built from materials like wood, thatch, and volcanic rock, these homes were designed to be cool and airy, showcasing a deep understanding of passive climate control long before air conditioning was even a concept.

II. Influences of Western Architecture:

The arrival of Western missionaries in the 19th century marked a significant turning point. Missionary buildings, typically simple and functional, introduced Western building techniques and aesthetics, representing a stark contrast to the traditional Hawaiian style. The subsequent plantation era brought a new wave of architectural influences, often reflecting the colonial styles of the time. Large plantation houses, built for comfort and demonstrating the wealth of the owners, often showcased Victorian or Creole elements. This period saw a blending of cultures, with some designs incorporating both Western and Polynesian elements.

III. Adapting to the Hawaiian Climate:

Designing buildings in Hawaii isn’t just about aesthetics; it’s a battle against the elements. The intense sun, constant trade winds, and occasional powerful hurricanes present unique challenges. Architects have cleverly incorporated shading devices, such as wide eaves and lanais (verandas), to mitigate the strong sunlight. Cross-ventilation, facilitated by strategically placed windows and open-air designs, helps circulate the cooling trade winds, creating a naturally comfortable interior. Moreover, hurricane-resistant construction techniques, focusing on sturdy frames and resilient materials, ensure the safety of structures during tropical storms. Think of it like building a fortress, but one that's also aesthetically pleasing and comfortable.

IV. Modern Hawaiian Architecture:

Contemporary Hawaiian architecture is a testament to both innovation and cultural preservation. Architects are increasingly embracing sustainable practices, utilizing locally sourced materials, and incorporating renewable energy technologies. Modern designs frequently feature a blend of traditional Polynesian motifs and contemporary aesthetics, creating unique and visually stunning structures. Imagine a sleek, modern home with open spaces, wide lanais, and subtle nods to traditional Hawaiian patterns – that's the essence of modern Hawaiian architecture. Several notable examples showcase this beautiful blend of old and new, demonstrating the incredible creativity and skill of contemporary Hawaiian architects. Think of it as a delicate dance between respecting the past and embracing the future.

Conclusion:

The architecture of Hawaii is a captivating reflection of its rich history and unique environment. From the ancient heiau to the modern high-rises, it tells a story of cultural fusion, ingenious adaptation, and a constant striving for harmony between human creation and the stunning natural landscape. Understanding the interplay of history, climate, and cultural influences provides a deeper appreciation for the beauty and ingenuity found in the buildings of the Hawaiian Islands. The islands' architectural tapestry is constantly evolving, always adapting to the needs of the present while honouring the heritage of the past.

FAQs:

Q: What are some common building materials used in traditional Hawaiian architecture?
A: Traditionally, Hawaiians used materials readily available in their environment, such as wood (koa, for example), volcanic rock, thatch, and bamboo.

Q: How does modern Hawaiian architecture address sustainability?
A: Modern architects are increasingly incorporating sustainable practices, such as using locally sourced materials, implementing renewable energy technologies, and designing for optimal natural ventilation and sunlight.

Q: Are there any specific architectural styles unique to Hawaii?
A: While influenced by other styles, Hawaiian architecture features unique elements like wide lanais, open-air designs prioritizing ventilation, and the incorporation of natural materials. The use of traditional Polynesian motifs in modern designs also creates a unique aesthetic.

Related Keywords:

Hawaiian architecture, Polynesian architecture, tropical architecture, sustainable architecture, Hawaii building design, Heiau, Hale, modern Hawaiian homes, Pacific architecture, climate-responsive design, hurricane-resistant construction, sustainable building materials Hawaii.

  architecture in hawaii: Hawaiian Modern Vladimir Ossipoff, Marc Treib, 2007-01-01 At the forefront of the postwar phenomenon known as tropical modernism, Vladimir Ossipoff (1907-1998) won recognition as the master of Hawaiian architecture.” Although he practiced at a time of rapid growth and social change in Hawaii, Ossipoff criticized large-scale development and advocated environmentally sensitive designs, developing a distinctive form of architecture appropriate to the lush topography, light, and microclimates of the Hawaiian islands. This book is the first to focus on Ossipoff’s career, presenting significant new material on the architect and situating him within the tropical modernist movement and the cultural context of the Pacific region. The authors discuss how Ossipoff synthesized Eastern and Western influences, including Japanese building techniques and modern architectural principles. In particular, they demonstrate that he drew inspiration from the interplay of indoor and outdoor space as advocated by such architects as Frank Lloyd Wright, applying these to the concerns and vernacular traditions of the tropics. The result was a vibrant and glamorous architectural style, captured vividly in archival images and new photography. As the corporate projects and private residences that Ossipoff created for such clients as IBM, Punahou School, Linus Pauling, Jr., and Clare Boothe Luce surpass their fiftieth anniversaries, critical assessment of these structures, offered here by distinguished scholars in the field, will illuminate Ossipoff’s contribution to the universal challenge of making architecture that is delightfully particular to its place and durable over time.
  architecture in hawaii: Designing Paradise Don Hibbard, 2006 Designing Paradise : The Allure of the Hawaiian Resort follows the history of tourist destinations in the Hawaiian Islands, the motivations that shaped their formation, and the buildings and landscapes that are the embodiments of this paradise of the Pacific. Comprehensively illustrated with drawings, ephemera, archival images, and contemporary photographs, Designing Paradise examines the most magnificent and culturally rich architecture to emerge in the Hawaiian Islands and provides insight into the essence and allure of Hawai'i. The resorts presented here are more than places of shelter or destinations; they exemplify the aloha spirit and the idyllic mythos of Hawai'i.--BOOK JACKET.
  architecture in hawaii: Hawaiian Design Kent Royle, Cliff Terry, 1993-07 Presents seven strategies for energy efficient architectural design in Hawaii -- orientation and building form, solar control, daylighting, natural ventilation, landscaping, building systems and material selection and equipment efficiency. Provides architects with practical design guidelines to serve as a basis for decision making during the conceptual and schematic stages of a project. Drawings, graphs and photos.
  architecture in hawaii: Buildings of Hawaii Don Hibbard, 2011 A sampling of Hawaiian buildings included in this volume, clockwise from top (photographs by Augie Salbosa): Byodo-In Temple, Royal Mausoleum (Mauna Ala), Honolulu Academy of Arts, all on Oahu, and Hamakua Joda Mission on Hawaii.
  architecture in hawaii: The Architecture of Charles W. Dickey Robert Jay, 1992 Any serious observer of Hawaii's architecture will be struck by the frequent recurrence of one name: Charles Dickey. This prolific and multifaceted architect enjoyed a remarkably successful career. From the intimate tropical bungalows he designed in Waikiki to the large-scale commercial projects and schools that dominated his California years, Dickey's work exhibits both eclecticism and diversity. For many years the preeminent figure in Hawaii architecture, he is often identified with the development of a uniquely Hawaiian style. The first individual raised in Hawaii to receive a classic architectural education in the U.S., Dickey joined the Honolulu firm of Clinton B. Ripley in 1896. In the years that followed, the Ripley-Dickey partnership played an enormous role in transforming both the burgeoning business district and the residential neighborhoods of the city. Working in a wide variety of architectural styles, the young Dickey reflected both his own historicist training and the diverse demands of his corporate clients in turn-of-the-century Honolulu. He also began to explore the vernacular traditions of Hawaiian architecture, traditions that would form the basis for his later work in Hawaii and become a signature of his style. In 1905 Dickey relocated to Oakland, where, although he encountered keener competition than he had known in Honolulu, he enjoyed a successful practice for twenty years. Of particular interest are his experiments with California's Mission Style architecture and his innovative use of structural steel, which enhanced his reputation in the aftermath of the San Francisco earthquake. It was there, too, that he added Japanese architectural traditions to his increasing range of stylistic options. Upon his return to Honolulu in 1926, Dickey began to cultivate what he considered to be a uniquely Hawaiian style of architecture, a style that increasingly emphasized broad double-hipped roofs and open, spacious plans that were intimately linked to the surrounding tropical environment. In the late twenties and thirties, Dickey developed this style in a remarkable variety of building types, becoming the truly dominant architect of Honolulu. The Architecture of Charles W. Dickey provides a convenient overview of much of Hawaii's architectural history. Robert Jay begins his study with a concise historical survey of nineteenth-century Hawaiian architecture; Dickey's own career takes the story from the mid-1890s to World War II, encompassing a period of enormous change in modern architecture; the conclusion highlights the significant architectural contributions of Dickey's contemporaries and of firms operating today. This work will be of interest to historians of American architecture, as well as specialists in American and Hawaiian studies. It will also appeal to those interested in the history of Honolulu's urban development, who will find that the spirit of Dickey's work survives even today.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
  architecture in hawaii: Land, Sea, Shelter, and Culture Architects Hawaii Ltd, 2023-01-25 This book tells their story and in so doing, tells the story of the making of a modern Hawaii. AHL is the most prominent, prestigious, and progressive architectural practice working in Hawaii. As such, the history of Modern Hawaiian architecture is very much the history of AHL. Over the past 75 years, no firm has built bigger, higher, or more frequently than AHL. The output of the firm is extraordinary, ranging from numerous state and federal facilities like the Hawaii State Capitol building to the Prince Jonah Kūhiō Kalaniana'ole Federal Building. The first high-rises in Hawaii belong to AHL along with some of most high-profile residential (Moana Pacific), hospitality (Aulani, A Disney Resort & Spa), healthcare and education (John A. Burns School of Medicine), and commercial complexes like the American Savings Bank and Pacific Guardian Center Towers, to numerous retail stores, schools and university buildings, churches, and extensive work with the military. AHL's projects extend beyond Hawaii and its neighbor islands, throughout the Pacific in Guam, Philippines, Palau, American Samoa, and Asia.The scope of the book covers the period from 1946, when founder, Cy Lemmon, opened the first office in the garage of his Waikiki Home through present day operations housing a staff of over one hundred working in downtown Honolulu.
  architecture in hawaii: Architecture of the South Pacific Jennifer Taylor, 2014-08-01 The South Pacific is more than just white beaches and warm oceans - it is also home to some of the world's most striking architecture. This book is an illustrated exploration of the unique architecture of the region.
  architecture in hawaii: Chinese Architecture and the Beaux-Arts Jeffrey W. Cody, Nancy Shatzman Steinhardt, Tony Atkin, 2011-01-31 In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two met in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen.
  architecture in hawaii: Hart Wood Don J. Hibbard, Glenn E. Mason, Karen J. Weitze, 2010-04-30 This lavishly illustrated book traces the life and work of Hart Wood (1880–1957), from his beginnings in architectural offices in Denver and San Francisco to his arrival in Hawaii in 1919 as a partner of C. W. Dickey and eventual solo career in the Islands. An outspoken leader in the development of a Hawaiian style of architecture, Wood incorporated local building traditions and materials in many of his projects and was the first in Hawaii to blend Eastern and Western architectural forms in a conscious manner. Enchanted by Hawaii’s vivid beauty and its benevolent climate, exotic flora, and cosmopolitan culture, Wood sought to capture the aura of the Islands in his architectural designs. Hart Wood’s magnificent and graceful buildings remain critical to Hawaii’s architectural legacy more than fifty years after his death: the First Church of Christ Scientist on Punahou Street, the First Chinese Church on King Street, the S & G Gump Building on Kalakaua Avenue, the Honolulu Board of Water Supply Administration Building on Beretania Street, and the Alexander & Baldwin Building on Bishop Street, as well as numerous Wood residences throughout the city.
  architecture in hawaii: Architecture of Bali Made Wijaya, 2003 This is at once a compendium for designers and an essay on the architecture of Asia's most glamorous tropical island. Landscape and architectural designer Made Wijaya has drawn on his photographic archives, compiled over 30 years, to present this visual study of Balinese architecture, its origins, elements, cariations and vagaries.
  architecture in hawaii: Hawaiian Residential Architecture Harry W. Seckel, 1954
  architecture in hawaii: Architecture of Hawaii Edwin Griffith (St. J.), 1944*
  architecture in hawaii: Original Copies Bianca Bosker, 2013 Original Copies presents the first definitive chronicle of this remarkable phenomenon in which entire townships appear to have been airlifted from their historic and geographic foundations in Europe and the Americas, and spot-welded to Chinese cities. These copycat constructions are not theme parks but thriving communities where Chinese families raise children, cook dinners, and simulate the experiences of a pseudo-Orange County or Oxford. In recounting the untold and evolving story of China's predilection for replicating the greatest architectural hits of the West, Bianca Bosker explores what this unprecedented experiment in duplitecture implies for the social, political, architectural, and commercial landscape of contemporary China. With her lively, authoritative narrative, the author shows us how, in subtle but important ways, these homes and public spaces shape the behavior of their residents, as they reflect the achievements, dreams, and anxieties of those who inhabit them, as well as those of their developers and designers. From Chinese philosophical perspectives on copying to twenty-first century market forces, Bosker details the factors giving rise to China's new breed of building. Her analysis draws on insights from the world's leading architects, critics and city planners, and on interviews with the residents of these developments.
  architecture in hawaii: Tropical Experience Mark De Reus, 2011 This book introduces a series of design stories with provocative story lines around some of the firm's most prominent projects. Each of the stories reveals the search that is inherent in the architectural design effort to evoke the spirit of each place by noting the unique circumstances for each client and property. The stories delve into planning and design aspects that reveal how spirit of place contributes to design meaning, and how creative expression can be discovered in pragmatic problem-solving. Within the stories, we uncover comparisons to older or ancient work in Hawaii, Indonesia, Mexico, and other locales, to underscore the significance of timeless principles in creating a harmonic living environment. Spirit is the intangible yet significant and even experientially transformative quality behind what endears one to a place or building. This book reveals the design philosophy of de Reus Architects: searching for design innovation by embracing tradition and timelessness, while applying modern and sustainable sensibilities.
  architecture in hawaii: The Arts of Kingship Stacy L. Kamehiro, 2009-07-27 The Arts of Kingship offers a sustained and detailed account of Hawaiian public art and architecture during the reign of David Kalakaua, the nativist and cosmopolitan ruler of the Hawaiian Kingdom from 1874 to 1891. Stacy Kamehiro provides visual and historical analysis of four key monuments - Kalakaua's coronation and regalia, the King Kamehameha Statue, 'Iolani Palace, and the Hawaiian National Museum - drawing them together in a common historical, political, and cultural frame. Each articulated Hawaiian national identities and navigated the turbulence of colonialism in distinctive ways and has endured as a key cultural symbol.These cultural projects were part of the monarchy's concerted effort to promote a national culture in the face of colonial pressures, internal political divisions, and declining social conditions for Native Hawaiians, which, in combination, posed serious threats to the survival of the nation. Kamehiro interprets the images, spaces, and institutions as articulations of the complex cultural entanglements and creative engagement with international communities that occur with prolonged colonial contact. Nineteenth-century Hawaiian sovereigns celebrated Native tradition, history, and modernity by intertwining indigenous conceptions of superior chiefly leadership with the apparati and symbols of Asian, American, and European rule. -- Book cover.
  architecture in hawaii: Korean Architecture Ben Jackson (Journalist), Robert Koehler, 2012 The Korea Essentials series is a cooperative project between the Korea Foundation and Seoul Selection to furnish the international reader with insight and basic understanding into the arts and culture of Korea. The content of this series is based on material published in Koreana, the Korea Foundation's magazine. The series is compiled and edited by Seoul Selectionʹs editorial staff. -- Publisher description.
  architecture in hawaii: Significant Architecture in Hawaii , 1972
  architecture in hawaii: Belt Collins Belt Collins Hawaii (Firm), 2003 During the firm's 50 years of creating development projects, from Hawaii to Bali, Belt Collins, with its talented landscape architects, environmental specialists, physical planners and civil engineers, has served three masters: the land, the owners and the users - with great skill and sensitivity. Featured projects include a selection of resorts in Waikiki and elsewhere in Hawaii; destination resorts in the Asia/Pacific region; a number of Shangri-La Hotels in Asia; and recreational developments in Hawaii, Australia and Asia.
  architecture in hawaii: China's Contested Capital Charles D. Musgrove, 2013 Chinas Contested Capital investigates the development of the model capital from multiple perspectives. It explores the ideological underpinnings of the project by looking at the divisive debates surrounding the new capitals establishment as well as the
  architecture in hawaii: Southeast Asian Houses Seo Ryeung Ju, 2017 This book begins with an introductory section about housing culture in Southeast Asia as a whole and then examines the traditional houses of five countries in more detail--from back cover.
  architecture in hawaii: China's Traditional Rural Architecture Ronald G. Knapp, 1986
  architecture in hawaii: Never Too Small Joe Beath, Elizabeth Price, 2023-04-19 Joel Beath and Elizabeth Price explore this question drawing inspiration from a diverse collection of apartment designs, all smaller than 50m2/540ft2. Through the lens of five small-footprint design principles and drawing on architectural images and detailed floor plans, the authors examine how architects and designers are reimagining small space living. Full of inspiration we can each apply to our own spaces, this is a book that offers hope and inspiration for a future of our cities and their citizens in which sustainability and style, comfort and affordability can co-exist. Never Too Small proves living better doesn’t have to mean living larger.
  architecture in hawaii: Architecture in Hawaiʻi Rob Sandler, Julie Mehta, 1993
  architecture in hawaii: China's Vernacular Architecture Ronald G. Knapp, 1989 Knapp (geography, SUNY) continues the work of his previous books by examining the distinctive characteristics of the common house in Zhejing province. Over 300 original photographs illustrate his discussion of construction techniques, the organization of space, settlement patterns, the expression of
  architecture in hawaii: Architecturalized Asia Vimalin Rujivacharakul, H. Hazel Hahn, Ken Tadashi Oshima, Peter Christensen, 2013-11-01 How did terms like “Asia,” “Eurasia,” “Indochina,” “Pacific Rim” or “Australasia” originate and evolve, and what are their connections to the built environment? In addressing this question,Architecturalized Asia bridges the fields of history and architecture by taking “Asia” as a discursive structure and cultural construct, whose spatial and ideological formation can be examined through the lenses of cartography, built environments, and visual narratives. The first section, on the study of architecture in Asia from the medieval through early modern periods, examines icons and symbols in maps as well as textual descriptions produced in Europe and Asia. The second section explores the establishment of the field of Asian architecture as well as the political and cultural imagining of “Asia” during the long nineteenth century, when “Asia” and its regions were redefined in the making of modern world maps mainly produced in Europe. The third section examines tangible structures produced in the twentieth century as legible documents of these notional constructions of Asia. In exploring the ways in which “Asia” has been drawn and framed both within and without the continent, this volume offers cutting-edge scholarship on architectural history, world history and the history of empires. Written by architectural historians and historians specializing in Asia and European empires, this unique volume addresses the connection between Asia and the world through the lenses of built environments and spatial conceptualizations. Architecturalized Asiawill appeal to readers who are interested in Asian architecture, world architecture, Asian history, history of empires, and world history.
  architecture in hawaii: A Guide to Architecture in Honolulu American Institute of Architects. Hawaii Chapter, 1957
  architecture in hawaii: Stories of Ancient Chinese Architecture 张慈赟, 2017-10-31 Ancient Chinese architecture is an integral part of the rich and time-honored Chinese culture and an important component of the world architectural system. It is most famous for the Great Wall, but there are also much more. In 7,000 years, Chinese people developed unique architectural philosophies, structures and techniques that are very different from their counterparts in the other places of the world. While Chinese architectural beauty is a feast for the eyes, the soul of ancient Chinese construction usually lies in the historical stories behind the walls. In this book, the authors will guide you as you knock on the gate of this ancient kingdom.
  architecture in hawaii: Architecture in Hawaiʻi Rob Sandler, 1993
  architecture in hawaii: Hawaii's Future George R. Ariyoshi, 2020-09-10 As Hawaii's longest-serving governor, George R. Ariyoshi was a prime architect of Hawaiian statehood, widely recognized for his leadership in long-range planning and the protection and management of the Islands' natural resources. Now, after sixty years of statehood, Gov. Ariyoshi looks back on whether the performance has matched the plans-and offers a sweeping vision for managing growth and shaping Hawaii's future for the generations to come.
  architecture in hawaii: The Hawaiian House Now Malia Mattoch-McManus, 2007-11 'The Hawaiian House Now' takes the reader on a tour of 21 specially photographed homes throughout the islands pf Oahu, Hawaii, Maui and Kauai, including houses that update the 'aloha spirit', traditional houses in Honululu, country houses, fantasy houses, houses that blend the indoors and the outdoors, and, of course, beach houses.
  architecture in hawaii: American Regional Architecture in Hawaii Daina Julia Penkiunas, 1990
  architecture in hawaii: Architecture Hawaii State Public Library System, Norma Hirota, 1994
  architecture in hawaii: Hawaiian Women's Fashion Agnes Terao-Guiala, 2020-01-15 Hawaiian Women's Fashions: Kapa, Cotton and Silk traces the history of the clothing worn by the women of Hawaii. The description moves from the traditional kapa pa'u and natural adornments worn by the first settlers in the Hawaiian Islands, through clothing worn during the early interactions with Westerners following Captain James Cook's discovery of Hawaii, to the time when royal women carried out their social duties in fancy, expensive European gowns of silk and velvet and to the present-day fashions created by Hawaiian designers.
  architecture in hawaii: The Architecture of Honolulu Geoffrey W. Fairfax, 1971
  architecture in hawaii: The Laie Hawaii Temple Eric Marlowe, Clinton Christensen, 2019-11-07 The temple in Laie became the Church's fifth temple and the first functioning outside North America. It was one of the first to accommodate large numbers of patrons from different cultures speaking different languages. At the forefront of a Churchwide shift away from gathering that included immigration to the Intermountain West, the temple was among the first temples brought to the people. It was an early physical symbol of the audacity of a relatively young and provincial church to take the fullness of the gospel, realized only in temples, to every nation, kindred, tongue, and people (Revelation 14:6-7). The Laie temple played a role in spawning a university, BYU-Hawaii, and a world-class tourist attraction, the Polynesian Cultural Center. Over the years, the temple and nearby institutions have drawn millions of visitors, likely second in numbers only to historic Temple Square in Salt Lake City.
  architecture in hawaii: Architecture and preservation in Hawaii , 1980
  architecture in hawaii: Traditional Japanese Architectural Influence on the Architecture in Hawaii Roland Jiro Nishimura, 1977
  architecture in hawaii: Floating Marine Community, Research Report of the Department of Architecture, University of Hawaii for Marine Programs, State of Hawaii, Honolulu, Hawaii University of Hawaii (Honolulu). Department of Architecture, 1972